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Agreement between User and cappellaromana.org Welcome to cappellaromana.org. The cappellaromana.org website (the “Site”) is comprised of various web pages operated by Cappella Romana (“Cappella Romana”). cappellaromana.org is offered to you conditioned on your acceptance without modification of the terms, conditions, and notices contained herein (the “Terms”). Your use of cappellaromana.org constitutes your agreement to all
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Fanfare Magazine Interviews Benedict Sheehan
Fanfare Magazine’s James A. Altena has a new must-read interview with Benedict Sheehan after the release of his Divine Liturgy of Saint John Chrysostom recording with the St. Tikhon Choir on Cappella Records: Benedict Sheehan is the artistic director of the Saint Tikhon Choir, at St. Tikhon’s Orthodox Monastery in South Canaan, PA (in the
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In the Footsteps of St. Demetrios
World première program In the Footsteps of St. Demetrios Cappella Romana Alexander LingasFounder & Director Cappella Romana brings to life the vibrant soundscape of medieval Thessaloniki. Hear ancient hymns honoring the city’s patron: the ever-popular St. Demetrios, sung on the weekend of his annual feast day. Experience ecstatic Byzantine chants for the saint adorning the
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Kastalsky Requiem: Program Notes
Vasily Polikarpovich Titov (c.1650–c.1715) – Cherubic Hymn; Megalynarion Vasily Titov was one of two leading composers of Russian Baroque music, the other being Nikolai Diletsky (c. 1630–80). Titov’s life and work mark the mid-point of the process of Russia’s musical Westernization, which gained new momentum during the reign of Tsar Peter the Great (1689 –1725).
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The Russian Chant Revival
Major traditions of complex sacred music throughout Europe were shaped during the so-called “long nineteenth century” (the period of relative peace which lasted from the battle of Waterloo to the outbreak of World War I) by movements to recover elements of early traditions for modern use. These efforts, like contemporary “back-to-roots” endeavors in non-musical arts
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Ivan Moody: From Darkness to Light
The From Darkness to Light programme is a journey in more than one sense. Firstly, it takes us from spiritual darkness (the condition which is cured, according to Orthodox Christian tradition, by metanoia, a change of heart) to light, the radiance of the Resurrection of Christ, by which mankind is made new. Secondly, it takes
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Sacro Monteverdi: Vox Luminis
Special Guest Concert Sacro Monteverdi Vox Luminis Belgium Lionel MeunierFounder & Director The world-renowned ensemble Vox Luminis from Belgium makes its Pacific Northwest début! Their singers and period instrument ensemble perform rapturous sacred works by Claudio Monteverdi. Monteverdi’s collection Selva morale e spirituale (The Virtuous and Spiritual Forest) forms the trunk of this program. Cappella Romana’s own Mark Powell
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Sacred Songs of Serbia — Program Notes: Part Two
Sacred Songs of Serbia Serbian Chant and Church Choral Music Part One Polyphonic singing appeared for the first time in Serbian churches in the 1830s as a result of European and Russian influence. The expansion of newly organized Serbian church choirs was enormous and very soon the main problem was the lack of indigenous sacred
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Arctic Light II: Northern Exposure – Program Notes
The genesis of this concert program occurred last season in January 2017 after renowned Finnish choral conductor Timo Nuoranne was slated to appear with Cappella Romana to direct Einojuhani Rautavaara’s Vigilia (All-Night Vigil). Timo Nuoranne has championed that work in particular throughout his career, having performed it with both Finnish and non-Finnish choirs, and made
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Marcel Pérès offers program notes for Codex Calixtinus Concert
Ibi barbare gentesomnium mundi climatumcatervatim occurrunt,munera laudis Domino deferentes, Alleluia Foreign nations hasten therefrom all over the world,bringing with them gifts of praiseto the Lord. Alleluia!(First antiphon, Vespers of St James) Since the ninth century the apostle St James has been the object of great faith and fervour in the Western Christian world. Even today
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Cappella Romana Renaissance Easter in Spain and Portugal Program Notes
Renaissance Easter in Spain and Portugal Our programme presents music appropriate to Easter by some of the foremost composers of the Iberian ‘golden age’, during the later sixteenth and early seventeenth centuries. Francisco Guerrero spent almost his entire career in the service of Seville Cathedral, as a singer, assistant chapelmaster, and then chapelmaster. Seville Cathedral
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Arctic Light: Orthodox Choral Music from Finland — Program Notes
Arctic Light Orthodox Choral Music from Finland The history of Orthodox Christianity in Finland goes back to the 12th century when trade was initiated between Carelia and traders from Novgorod. The early establishment of monasteries in Karelia, especially Valamo (Valaam) and Konevitsa on the islands of Lake Ladoga, and later, at Petsamo (Pechenga, on the
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